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Andrew Gn Spring 2016 Ready-To-Wear
Photo A.R.T.
La première partie de cette collection rappelle les vacances. Elle évoque l'air frais marin, l'été, des moments caressés de soleil. On part de Deauville vers la Bretagne et Biarritz, dans une palette de bleux, noir et blanc. On voyage ensuite vers des contrées plus lointaines comme l'Afrique. Plusieurs allusions à des motifs géométriques primitifs.
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
La seconde partie de la collection tire son inspiration d'un bol en porcelaine impériale chinoise qui a été donné à Andrew par ses parents pour ses 15 ans. Ce bol comporte des peintures extrêmement délicates de papillobs, plantes et fleurs qu'il a transposées en imprimés et fines broderies. C'est coloré, joyeux et décalé.
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Andrew Gn Spring 2016 Ready-To-Wear. Image ©Indigitalimages.com
Des détails, backstage des superbes broderies:
Quelques bols chinois qui pourraient être comme celui qui a inspiré Andrew:
A very fine and rare fencai porcelain bowl with butterflies, flowers and insects, China, underglaze blue Daoguang seal mark and period. Photo Nagel
A famille rose 'butterfly' bowl, Guangxu six-character mark in iron red and of the period (1875-1908). Photo Christie's Image Ltd 2013
Famille rose butterfly bowl, Jingdezhen, Jiangxi province, southern China, Qing dynasty, Yongzheng period (AD 1723-35). © Trustees of the British Museum
Bowl with Flowers and Butterflies, China, between 1723 and 1735, porcelain with overglaze enamels, between 1723 and 1735. William T. / Henry Walters Collection, Baltimore.
A famille-rose 'Flower and Butterfly' bowl, Mark and period of Yongzheng. Photo Sotheby's
Erick Hörlin et moi, backstage. Photo Geneviève Nevejan
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