Giovanni Benedetto Castiglione, known as Il Grechetto, The Adoration of the Magi, ca. 1650–1655. Brush drawing in oil, 41.7 x 57.3 cm, The Royal Collection / HM Queen Elizabeth II Royal Collection Trust / © Her Majesty Queen Elizabeth II 2021 From 10...

Carlo Maratti, Hercules Slaying the Nemean Lion (cartouche) with Temperance and Fortitude, c. 1670. Pen in brown over red chalk on paper, 25.9 x 20.9 cm. Kunsthaus Zürich. ZURICH .- From 31 January to 26 April 2020 the Kunsthaus Zürich presents ‘The Poetry...

ATHENS, GA .- When we think of Renaissance art, we usually think of paintings, but from the 16th century on Italian artists focused on drawing just as much if not more so. Giorgio Vasari, an influential Italian painter, architect and historian, regarded...

Giovanni Benedetto Castiglione, A presumed self-portrait , 1640s. Etching, platemark; overall: 188 x 138 mm. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2015. FORT WORTH, TX .- He was one of the most innovative artists of the Italian Baroque....

Giovanni Benedetto Castiglione, A presumed self-portrait, 1640s. Etching, platemark; overall: 188 x 138 mm. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2015. DENVER, CO .- The Denver Art Museum presents Castiglione: Lost Genius, featuring...

Giovanni Benedetto Castiglione, Alexander at the Tomb of Cyrus, 1645/1650. Brush with oil paint heightened with white gouache, overall: 58 x 42.9 cm. National Gallery of Art, Washington, Pepita Milmore Memorial Fund and Edward E. MacCrone Fund. WASHINGTON...

Caravaggio, Micheangelo Merisida (1571-1610), The Calling of Saints Peter and Andrew (detail), c.1603-6. Photo: The Royal Collection © 2008, Her Majesty Queen Elizabeth II. EDINBURGH.- The drama of the Baroque just opened in Edinburgh in part two of The...