Ewer stand, 1562, Pierre Reymond (French (Limoges), 1513-1584). Enamel on copper, 5.08 x 40.64 cm. Minneapolis Institute of Art, The Putnam Dana McMillan Fund and an anonymous donor, 86.70.

On this enameled ewer stand, religious scenes of sin and redemption are combined with classically inspired motifs such as mythological beasts and winged cupids, which reflect the revival of interest in ancient Greek and Roman art during the sixteenth century.