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salvator rosa
18 mars 2025

Fratello Sole, Sorella Luna. Nature in Art, from Fra Beato Angelico to Corot, at The National Gallery of Umbria in Perugia

Fratello Sole, Sorella Luna. Nature in Art, from Fra Beato Angelico to Corot, at The National Gallery of Umbria in Perugia
PERUGIA .- The National Gallery of Umbria in Perugia is hosting the exhibition Fratello Sole, Sorella Luna. Nature in Art, from Fra Beato Angelico to Corot, on the occasion of the eighth centennial of the composition of the Canticle of the Sun by Saint...
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18 février 2025

Salvator Rosa (Italian, 1615–1673), Scenes of Witchcraft, c. 1645–1649

Salvator Rosa (Italian, 1615–1673), Scenes of Witchcraft, c. 1645–1649
Salvator Rosa (Italian, 1615–1673), Scenes of Witchcraft, c. 1645–1649. Oil on canvas. Framed: 76.2 x 9.6 cm; Unframed: 54.5 cm. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1977.37. The artist chose the painting's shape to reference...
1 octobre 2020

Exhibition shows how people's view of nature has changed through the ages

Exhibition shows how people's view of nature has changed through the ages
Claude Lorrain, Landscape with Argus Guarding lo, ca 1644/45. Photo credit: Harry Cory Right/By permission of the Earl of Leicester and the Trustees of the Holkham Estate. STOCKHOLM .- This autumn's exhibition at Nationalmuseum opened on 17 September...
18 mars 2020

Burglary at Christ Church Picture Gallery

Burglary at Christ Church Picture Gallery
OXFORD .- At around 11pm yesterday (14/3) offenders broke into Christ Church Picture Gallery in St Aldates. Three high value paintings were stolen in the burglary: Annibale Carracci, 'A Boy Drinking,' c. 1580. Antony Van Dyck, 'A Soldier on Horseback,'...
28 décembre 2019

Salvator Rosa (Arenella, Naples 1615-1673 Rome), Portrait of a bearded man, bust-length, traditionally identified as Masaniello

Salvator Rosa (Arenella, Naples 1615-1673 Rome), Portrait of a bearded man, bust-length, traditionally identified as Masaniello
Lot 11. Salvator Rosa (Arenella, Naples 1615-1673 Rome), Portrait of a bearded man, bust-length, traditionally identified as Masaniello, oil on canvas, 58.7 x 49 cm.; 23⅛ x 19¼ in. Estimate 200,000 - 300,000 GBP. Lot sold 206,250 GBP. © Sotheby's. Provenance...
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4 septembre 2018

The Ashmolean's autumn exhibition explores the history of a fascinating cultural phenomenon: Magic

The Ashmolean's autumn exhibition explores the history of a fascinating cultural phenomenon: Magic
Spellbound: Magic, Ritual and Witchcraft OXFORD .- The Ashmolean ’s autumn exhibition explores the history of a fascinating cultural phenomenon – magic. SPELLBOUND displays 180 objects from 12th-century Europe to newly commissioned contemporary artworks....
17 mai 2018

Nationalmuseum Sweden acquires drawing by Italian master Salvator Rosa

Nationalmuseum Sweden acquires drawing by Italian master Salvator Rosa
Salvator Rosa (1615-1673), A Rocky Landscape with a Tree and Two Figures, pencil and ink with white accents on panel. Photographer / Source Cecila Heisser/Nationalmuseum. STOCKHOLM .- Nationalmuseum has acquired a work by one of the foremost Italian artists...
17 février 2015

The Cleveland Museum of Art presents 'The Novel and the Bizarre: Salvator Rosa's Scenes of Witchcraft'

The Cleveland Museum of Art presents 'The Novel and the Bizarre: Salvator Rosa's Scenes of Witchcraft'
Scenes of Witchcraft: Day, about 1645–49. Salvator Rosa (Italian, 1615–1673). Oil on canvas; w. 54.5 cm. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1977.37.2 CLEVELAND, OH.- The Cleveland Museum of Art presents, The Novel and the Bizarre:...
2 juin 2014

Discovering the Salvator Rosa engraver at National Institute for Graphics, Rome

Discovering the Salvator Rosa engraver at National Institute for Graphics, Rome
Il Genio di Salvator Rosa (sanguigna su cartone) - The Genius of Salvator Rosa (sanguine on cardboard). National Institute for Graphics, Rome - until 29 June 2014. Slightly less than one hundred etchings, various matrices and three drawings, but also...
21 janvier 2014

Prado Museum analyses the rise, evolution and decline of the subject of the "Furias"

Prado Museum analyses the rise, evolution and decline of the subject of the "Furias"
Prometheus Bound, Peter Paul Rubens and Frans Snyders, Oil on canvas, 242.6 x 209.5 cm, c. 1611. Philadelphia Museum of Art MADRID.- The “Furias”. From Titian to Ribera offers an in-depth analysis of the Renaissance and Baroque’s interpretation of antiquity...
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