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Alain.R.Truong

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Alain.R.Truong
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23 janvier 2020

A pair of doucai 'lança' bowls, Qing dynasty, 18th-19th century

A pair of doucai 'lança' bowls, Qing dynasty, 18th-19th century
Lot 75. A pair of doucai 'lança' bowls, Qing dynasty, 18th-19th century. Diameter 6 5/8 in., 16.8 cm. Estimate 2,000 — 3,00 0 USD. Lot sold 11,875 USD . Photo Sotheby's each painted on the exterior with interlinked pomegranate lappets with iron-red mandorla-...
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23 janvier 2020

A doucai dish, Yongzheng mark and period (1723-1735)

A doucai dish, Yongzheng mark and period (1723-1735)
Lot 74. A doucai dish, Yongzheng mark and period (1723-1735). Diameter 7 3/4 in., 19.8 cm. Estimate 8,000 — 12,000 USD. Lot sold 12,500 USD . Photo Sotheby's painted in the center with a taiji symbol centering a petal medallion encircled by the 'Eight...
23 janvier 2020

A pair of famille-rose 'erotic' saucers, Tongzhi marks and period (1862-1874)

A pair of famille-rose 'erotic' saucers, Tongzhi marks and period (1862-1874)
Lot 71. A pair of famille-rose 'erotic' saucers, Tongzhi marks and period (1862-1874). Diameter of the pair 5 7/8 in., 14.9 cm. Estimate 4,000 — 6,000 USD. Lot sold 18,750 USD . Photo Sotheby's each painted in the center with mirror image scenes of a...
23 janvier 2020

Major Rembrandt portrait painting on loan to the Wadsworth from the Rijksmuseum Amsterdam

Major Rembrandt portrait painting on loan to the Wadsworth from the Rijksmuseum Amsterdam
Rembrandt van Rijn, Titus in a Monk’s Habit, 1660. Oil on canvas. Loan from the Rijksmuseum. Purchased with the support of the Vereniging Rembrandt, 1933; formerly Stroganoff Collection, St Petersburg. HARTFORD, CONN .- Rembrandt's Titus in a Monk's Habit...
22 janvier 2020

FINCH & CO, Stand 41b at BRAFA, 26 janvier-2 février 2020

FINCH & CO, Stand 41b at BRAFA, 26 janvier-2 février 2020
Figure of the nude Venus, Ancient Roman, 1st century BC-1st century AD. Bronze with green patina with extensive patches of red. H 20 cm. © Finch & Co. Provenance: private collection, Oxfordshire, United Kingdom; Sotheby's, London, 10 July 1989, lot n°...
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22 janvier 2020

DIDIER CLAES, Stand 94d at BRAFA, 26 janvier-2 février 2020

DIDIER CLAES, Stand 94d at BRAFA, 26 janvier-2 février 2020
Kongo Nkondi statue, Republic Democratic of the Congo, late 19th-early 20th century. Wood, glass, metal, vegetable fibres. H 33 cm. © Didier Claes Provenance: private collection, Germany; Alain de Monbrison, France; private collection, Belgium. Literature:...
22 janvier 2020

THEATRUM MUNDI, Stand 120b at BRAFA, 26 janvier-2 février 2020

THEATRUM MUNDI, Stand 120b at BRAFA, 26 janvier-2 février 2020
Stele of Ramses II, Egypt, New Kingdom, Ramesside period, XIX Dynasty, 1279-1213 BC. Bas-relief in calcareous stone with the engraved name of the Pharaoh Ramses II, 74 x 36 x 5 cm. © Theatrum Mundi. Provenance: private collection, United Kingdom, acquired...
22 janvier 2020

AXEL VERVOORDT, Stand 73b at BRAFA, 26 janvier-2 février 2020

AXEL VERVOORDT, Stand 73b at BRAFA, 26 janvier-2 février 2020
Markus Brunetti (Bavaria, 1965), Naranco, Santa Maria. Archival pigment print on natural cotton paper, mounted on dibond, 2013-2019,225 x 150 cm. © Axel Vervoordt. José Zanine Caldas (Belmonte 1918-2001 Vitória), Sculpted cube, 1980. Cedrela wood, 80...
22 janvier 2020

PORFIRIUS KUNSTKAMMER, Stand 45a at BRAFA, 26 janvier-2 février 2020

PORFIRIUS KUNSTKAMMER, Stand 45a at BRAFA, 26 janvier-2 février 2020
The Kunstkammer as a work of art. © Porfirius Kunstkammer The four domains of the Renaissance Kunstkammer-Preciosia, Naturalia, Scientifica and Exotica-merge in this eclectic artwork to create an image of the known world. The focus is on rare and surprising...
22 janvier 2020

COSTERMANS, Stand 119b at BRAFA, 26 janvier-2 février 2020

COSTERMANS, Stand 119b at BRAFA, 26 janvier-2 février 2020
Gaspar De Crayer (Antwerp 1582-1669 Ghent), Portrait of a man, 1627. Oil on panel,100 x 73 cm. Inscribed: AETATIS 32. / A° 1627. Antwerp guild mark on the back. © Costermans Certificate issued by Dr. Hans Vlieghe and attribution confirmed by Dr. Sabine...
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