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17th century art
26 février 2025

Roelant Savery, Vase of Flowers in a Stone Niche, 1615

Roelant Savery, Vase of Flowers in a Stone Niche, 1615
Roelant Savery (Courtrai 1576/1578 - 1639 Utrecht), Vase of Flowers in a Stone Niche, 1615. Oil on panel , 63.5 x 45.1 cm. Signed lower left: R. SAVERY. FE. 1615. Mauritshuis, Netherlands. The edge of the stone niche seems to project forward, the glass...
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23 février 2025

Cornelis Norbertus Gijsbrechts, Trompe L'Oeil

Cornelis Norbertus Gijsbrechts, Trompe L'Oeil
Cornelis Norbertus Gijsbrechts (Flemish, active 1659–about 1672), Trompe L'Oeil, 1663. Oil on canvas, Framed: 92.1 × 102.9 × 10.2 cm; Overall: 73.7 × 86.4 cm. Museum of Fine Arts, Boston, The Maida and George Abrams Collection—Museum acquisition with...
20 février 2025

A Portuguese faience aquamanile, Lisbon, c. 1625.

A Portuguese faience aquamanile, Lisbon, c. 1625.
A Portuguese faience aquamanile, Lisbon, c. 1625. © Henry Manners One of the most extraordinary wares to have been produced in ceramic. Modelled as a chimera with the head of a woman. According to São Roque, about 20 aquamanile are known, in different...
19 février 2025

Daniel Neuberger and the Art of Deception at the Kunsthistorisches Museum

Daniel Neuberger and the Art of Deception at the Kunsthistorisches Museum
Daniel Neuberger, Self-portrait of the artist between Minerva and Saturn (Chronos), Vienna, circa 1660. Museum August Kestner Hannover, Inv.-Nr. 1913.33 © Landeshauptstadt Hannover, Museum August Kestner. Fotograf: Detlef Jürges VIENNA.- The Kunsthistorisches...
18 février 2025

Salvator Rosa (Italian, 1615–1673), Scenes of Witchcraft, c. 1645–1649

Salvator Rosa (Italian, 1615–1673), Scenes of Witchcraft, c. 1645–1649
Salvator Rosa (Italian, 1615–1673), Scenes of Witchcraft, c. 1645–1649. Oil on canvas. Framed: 76.2 x 9.6 cm; Unframed: 54.5 cm. The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1977.37. The artist chose the painting's shape to reference...
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16 février 2025

Jacob Adriaensz Backer, Shepherd with Flute (Self-Portrait?), 1637

Jacob Adriaensz Backer, Shepherd with Flute (Self-Portrait?), 1637
Jacob Adriaensz Backer, Shepherd with Flute (Self-Portrait?), 1637. Oil on panel, 52.2 x 40.8 cm, Mauritshuis, Netherlands. This is a ‘tronie’, or a study of a certain type or character – in this case a shepherd. The man is wrapped in sheepskin and wears...
15 février 2025

Jan Davidsz de Heem, Still Life with Books and a Violin, 1628

Jan Davidsz de Heem, Still Life with Books and a Violin, 1628
Jan Davidsz de Heem, Still Life with Books and a Violin, 1628. Oil on canvas, Mauritshuis, Netherlands De Heem is known mainly for the colourful, flamboyant flower still-lifes he painted from 1650. But before that, he painted simple still-lifes in shades...
15 février 2025

Jan Davidsz de Heem, Sumptuous Fruit Still Life with Jewellery Box, 1650/1655

Jan Davidsz de Heem, Sumptuous Fruit Still Life with Jewellery Box, 1650/1655
Jan Davidsz de Heem, Sumptuous Fruit Still Life with Jewellery Box, 1650/1655. Oil on canvas, Mauritshuis, Netherlands.
15 février 2025

Jan Davidsz de Heem, Garland of Fruit and Flowers, 1650/1660

Jan Davidsz de Heem, Garland of Fruit and Flowers, 1650/1660
Jan Davidsz de Heem, Garland of Fruit and Flowers, 1650/1660. Oil on canvas, 60.2 X 74.7 cm, Mauritshuis, Netherlands. The Utrecht artist De Heem is regarded as one of the most important still-life painters of the seventeenth century. He settled in Antwerp...
15 février 2025

Jan Davidsz de Heem, Vase of Flowers, 1670

Jan Davidsz de Heem, Vase of Flowers, 1670
Jan Davidsz de Heem, Vase of Flowers, 1670. Oil on canvas, 74.2 X 52.6 cm, Mauritshuis, Netherlands. Compared to flower still-lifes of the early seventeenth century, this painting is a real floral explosion. Rather than a stiff bouquet, we see a colourful...
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