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anthony van dyck
8 mars 2018

Anthony Van Dyck (Antwerp 1599 - 1641 London), Portrait of an Italian noblewoman

Anthony Van Dyck (Antwerp 1599 - 1641 London), Portrait of an Italian noblewoman
Lot 3045. Anthony Van Dyck (Antwerp 1599 - 1641 London), Portrait of an Italian noblewoman. Oil on canvas, 48 x 37.7 cm. Estimate CHF 20 000 / 30 000 ( € 16 670 / 25 000) . © Koller Auctions Zurich Expertise: Dr. Susan J. Barnes, 30.6.2015 (copy available)....
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8 mars 2018

Anthony Van Dyck (Antwerp 1599 - 1641 London), Portrait of Anna Sophia Herbert, Countess of Carnarvon (circa 1610-1695)

Anthony Van Dyck (Antwerp 1599 - 1641 London), Portrait of Anna Sophia Herbert, Countess of Carnarvon (circa 1610-1695)
Lot 3045. Anthony Van Dyck (Antwerp 1599 - 1641 London), Portrait of Anna Sophia Herbert, Countess of Carnarvon (circa 1610-1695). Oil on canvas, 102 cm diameter. Estimate CHF 80 000 / 140 000 ( € 66 670 / 116 670) . Sold for CHF 57 000. © Koller Auctions...
27 janvier 2018

Exhibition at the Royal Academy of Arts reunites Charles I's collection

Exhibition at the Royal Academy of Arts reunites Charles I's collection
Anthony van Dyck, Charles I, 1635-6. Oil on canvas, 84.4 x 99.4 cm. Royal Collection Trust / © Her Majesty Queen Elizabeth II 2017. LONDON .- The Royal Academy of Arts , in partnership with Royal Collection Trust, presents Charles I: King and Collector,...
21 janvier 2018

Three Flemish Baroque masters featured in a new exhibition at The Morgan

Three Flemish Baroque masters featured in a new exhibition at The Morgan
Peter Paul Rubens (1577–1640), Seated Male Youth, ca. 1613, black chalk, heightened with white chalk, on light gray paper, purchased by Pierpont Morgan (1837–1913) in 1909, The Morgan Library & Museum, I, 232. NEW YORK, NY .- In a letter from September...
28 octobre 2017

The Oklahoma City Museum of Art exhibits 90 Dutch and Flemish Drawings from the Golden Age

The Oklahoma City Museum of Art exhibits 90 Dutch and Flemish Drawings from the Golden Age
Hans Bol (1534-1593), “A Covered Wagon Traversing a Road between Two Inns", 1580, Image © Victoria and Albert Museum OKLAHOMA CITY, OKLA .- The Oklahoma City Museum of Art will open special exhibition, “Master Strokes: Dutch and Flemish Drawings from...
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13 septembre 2017

Van der Weyden, Rubens and Van Dyck: Flemish masters on view in The Hague

Van der Weyden, Rubens and Van Dyck: Flemish masters on view in The Hague
Master of Frankfurt, Portrait of the painter and his wife, 1496, Royal Museum of Fine Arts Antwerp © KMSKA/Lukas – Art in Flanders VZW, photo: Hugo Maertens. THE HAGUE .- Better a good neighbour than a distant friend, so the saying goes. During the autumn...
4 septembre 2017

The Renaissance art collection of a powerful Italian family comes to Auckland

The Renaissance art collection of a powerful Italian family comes to Auckland
AUCKLAND .- The art and lives of a Florentine dynasty is being revealed in Auckland Art Gallery Toi o Tāmaki ’s new exhibition The Corsini Collection: A Window on Renaissance Florence which opened on Saturday 2 September 2017. Drawn from the extensive...
11 juillet 2017

New Van Dyck painting on display at the Ashmolean

New Van Dyck painting on display at the Ashmolean
Anthony Van Dyck (1599–1641), Portrait of Elizabeth Howard, 1st Countess of Peterborough, around 1638. OXFORD .- The Ashmolean now has on long-term loan a new painting by Flemish portrait painter, Anthony Van Dyck (1599–1641). The portrait of Elizabeth...
4 janvier 2017

Orazio Gentileschi (Pisa 1563 - 1639 London), Head of a Woman

Orazio Gentileschi (Pisa 1563 - 1639 London), Head of a Woman
Lot 38. Orazio Gentileschi (Pisa 1563 - 1639 London), Head of a Woman, oil on panel, 16 1/2 by 14 3/8 in.; 42 by 37 cm. Estimate 2,000,000 — 3,000,000 USD. Photo: Sotheby's Provenance: Acquired by King Charles I of England, Whitehall Palace, London, by...
14 août 2016

Anthony van Dyck, Self-Portrait, from The Iconography, ca. 1630

Anthony van Dyck, Self-Portrait, from The Iconography, ca. 1630
Anthony van Dyck (Flemish, Antwerp 1599–1641 London), Self-Portrait, from The Iconography, ca. 1630. Etching; first state of seven, 9 1/2 x 6 1/8in. (24.1 x 15.6cm). Bequest of Mary Stillman Harkness, 1950. The Metropolitan Museum of Art, 50.583.4 © 2000–2016...
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