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Alain.R.Truong

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Alain.R.Truong
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5 février 2024

Jacob van Hulsdonck, Peaches, plums and grapes in a wicker basket, with fruit and a butterfly on a wooden table

Jacob van Hulsdonck, Peaches, plums and grapes in a wicker basket, with fruit and a butterfly on a wooden table
Lot 138. Jacob van Hulsdonck (Antwerp 1582-1647), Peaches, plums and grapes in a wicker basket, with fruit and a butterfly on a wooden table, signed '·IVHVLSDONCK·FE·' ('IVH' linked, lower left), oil on panel, with the original gessoed reverse, 48.3 x...
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5 février 2024

'Black Pottery Culture' of Longshan culture (3000 BCE to 2000 BCE)

'Black Pottery Culture' of Longshan culture (3000 BCE to 2000 BCE)
Late Neolithic culture centered on the central and lower Yellow River in China. Longshan culture is named after Longshan, Shandong Province, the first excavated site of this culture. It is dated from about 3000 BCE to 2000 BCE. The distinctive feature...
5 février 2024

'Sacrifice and Warfare: Guide to Ancient Weapons' at National Palace Museum, Taiwan

'Sacrifice and Warfare: Guide to Ancient Weapons' at National Palace Museum, Taiwan
Artisans who wish to excel at their craft must first sharpen their tools.” From tools for production and hunting to weapons of killing and attacking, from providing for basic needs to determining the outcome of wars, the sharpness of the blade has been...
4 février 2024

Incense burner, Three Kingdoms period (220-265)

Incense burner, Three Kingdoms period (220-265)
Incense burner, Three Kingdoms period (220-265), found in Cao Cao's tomb, in Xigaoxue Village, Anfeng, Henan Province.
4 février 2024

Yue celadon container with a handle, State of Eastern Wu, Three Kingdoms period (220-265)

Yue celadon container with a handle, State of Eastern Wu, Three Kingdoms period (220-265)
Yue celadon container with a handle, unearthed from the Ding Feng (丁奉) family tomb, State of Eastern Wu, Three Kingdoms period (220-265). Many scholars propose it serves as an incense burner. It could be used not only to add fragrance to a room but also...
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4 février 2024

Willem van Aelst, A bouquet with a sunflower, roses, an iris, tulips, carnations and a camellia in a gilt mounted vase,...

Willem van Aelst, A bouquet with a sunflower, roses, an iris, tulips, carnations and a camellia in a gilt mounted vase,...
Lot 56. Property from the Collection of J.E. Safra. Willem van Aelst (Delft 1627-?1687 Amsterdam), A bouquet with a sunflower, roses, an iris, tulips, carnations and a camellia in a gilt mounted vase, with insects on a marble tabletop, signed and dated...
4 février 2024

Dirck Jacobsz., Portrait of Pieter Jansz. Gaef, alias Spiegel (1505⁄6-1581), half-length, holding a skull, 1558

Dirck Jacobsz., Portrait of Pieter Jansz. Gaef, alias Spiegel (1505⁄6-1581), half-length, holding a skull, 1558
Lot 48. Dirck Jacobsz. (Amsterdam? C.1497-1567), Portrait of Pieter Jansz. Gaef, alias Spiegel (1505⁄6-1581), half-length, holding a skull, dated and inscribed '1558 / WIE · DAT - GHIJ · SET / GHEDINCKT - TE · STERVE / WILT - IN · V · TIJT / GODS · RIJCK...
4 février 2024

Lucas Cranach the Elder, Henry IV the Devout, Duke of Saxony, Margrave of Meissen (1473-1541)

Lucas Cranach the Elder, Henry IV the Devout, Duke of Saxony, Margrave of Meissen (1473-1541)
Lot 6. Lucas Cranach the Elder (Kronach 1472-1553 Weimar), Henry IV the Devout, Duke of Saxony, Margrave of Meissen (1473-1541), half-length, in armor, with a two-handed sword, oil on panel, 20 x 15 cm. Price realised USD 352,800 ( Estimate USD 250,000...
4 février 2024

Osias Beert (Antwerp 1580-1623), A pewter plate of walnuts and hazelnuts, a glass of red wine, and a butterfly on a table top

Osias Beert (Antwerp 1580-1623), A pewter plate of walnuts and hazelnuts, a glass of red wine, and a butterfly on a table top
Lot 8. Osias Beert (Antwerp 1580-1623), A pewter plate of walnuts and hazelnuts, a glass of red wine, and a butterfly on a table top, oil on panel, unframed, 22.8 x 30.9 cm. Price realised USD 252,000 ( Estimate USD 100,000 – USD 150,000 ). © Christies...
4 février 2024

'Boundless – A Maritime Perspective of East-West Cultural Exchange in the 16th Century' at National Palace Museum, Taipei

'Boundless – A Maritime Perspective of East-West Cultural Exchange in the 16th Century' at National Palace Museum, Taipei
Onde a terra acaba e o mar começa. “Where the land ends and the sea begins,” said the Portuguese poet, Luís Vaz de Camões (?-1580). These two lines described how the edge of the land was precisely the starting point of the sea. The context of his words...
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